CONFESSION NIGHT IN OUR HOME

confession hour
penetrating our expertise— this ceremony, no
not thank you,
not assertive,
particular jelly oozing from praying walls
where they meet, a defendant,
listening

 

blind reporter, where are our blind busboys—
sweating teenage pride having
kidnapped victory this ceremony, yes
wear something velvet,
the sum of our disorder
installed on the
winter ceiling.

 

our regular marathon
like auction,
like exile,
false hours clattering between error,
complaint documents smashed into
stripped floorboards

 

to enter is to
abandon participation where our
incentive is so available,
where our posture improves
in vital blue,
thanking explosion as it
allows for newness

 

hide our disciplined
hall-promises by turning the lights very low

 


How could normal be so cold I wait


How could
Normal be so cold I wait
For those things to be built:
Homes, teeth, forgetting
It’s
Sundaydinnertime and the sunset had been so beautiful that day
I told them about the multiplicity of colors being directly
Linked to things like pressure and explosion
And they did not listen


You were down at the stream, looking at the lettuces
Their translucences growing up towards
The sun from the cold water
And you want to pick one, a delicate little something with
Its tendrils being towed away from one another by the current

 

In the forest there is no dust because everything is new.
You don’t deserve anything
That knows and lives its age



human kindness

i am the last hospitality, lacking
perfect formula gradual and
dramatic only in my spine rings
true meaning (i cross over my
self and am advised to jump) an ideal riot
working for payment
relief from effort
a diplomat of the most incredulous variety
(i mean really what did you think was going to happen)

 

my reality now: paralyzed, fragrant,
a negotiation straining off-base glances
trying to smooth out ample
trying for a child
forgoing politeness
discovering simplicity (on the basis of some deal)
i offer you a sacred person
and finally, a last contradiction:
(my love is in my humanity)



rise, shy

crazy flowers successive

possession soft, brush-like

a wildfire sympathetic

stunningly bright, fluid,

orbital, a secret—

faint and memorable

deepening,

its gravity ravished,

pulled taught, tugged:

entwine the unloved

soften the illumination

startle the conflict

being so delicious

wispy, curdling

visual richness unsurpassed

crazy flowers successive

crazy flowers successive.

 


 

2:33 a.m.

 

he says he doesn’t

remember the tremor:

waking fitfully, night hanging cool

and distant, easy sluice slipping its

apologetic way between bones and bodies and

the gaps in teeth—

all sorts of pressing sorries,

loving hands,

secondary, familiar, recalling:

to wait is sin,

to have the unwanted, careful.

amber forgettable,

talented sleeplessness,

encouraging the ambiguous,

clutching the threshold,

discouraging dialogue,

post-suspicion and warning twitches.

the panel slurs tragedy, a premature taste, well—

could be downfall, could be

a coincidental explosion

of the gallery

in which you hang.


 

the race a blur


he talks first             never more than once          never more the prized and only he talks like

saccharine                saturating my pallet and likening spit to the blood of Christ he                    takes every sacrament from my hands            he knows exactly                 what he’s doing he says it will always be I who is floating but

while he talks he loses his grip and                                               then I am the first with him right behind

but a step

but a slow dance

but a translation

but a transition

but a child prodigy

but a long walk

but a few dead rats in the cupboard

but a time last week when I thought I’d never see my only again he       the great forever the dog from hell with the sharpest teeth                       with my only now                                            he runs burgundy only on the best day the day of days the day of forever                                     he                                      spits in my eye so                                           now it’s in his hands                 touch like adrenaline                          a slave to tomorrow                                     the great beyond shines                         a beacon               on his sloping forehead he is                     the descendant of the first                     he will have

new flesh on which to feast                                                                               it will still move me

 

he is the only sleepwalker:                                                                     

built to last to spill too fast.

 


 

poem 32

big ol all like floaty tonight

                        come out come out n he comesoutround

                        3:27 am all like

                        ohh h

                                h

                                    h

                                       h

                                           you’re my only baby

                        lovely but I being shaken up all ways n having waited 5 days go

                                    what is wrong with you?

                                                            oh my oh my big ol he

                                                            all backflips now

                                                            n more like back hands now

                        my big ol all like floaty tonight

                        my big ol all like floaty tonight

                            counting all ten fingertoes with lips

                            cooing the harm into itself
                            as it becomes large n drippy n too too much oh
                        my big ol makes too much too good

                                                n it is just that, because

 

                        he will swear it all like susurrus

                        at 3:27 am.

                        he will swear it on a Thursday.

                        he will swear it howling.

                        he will swear it,

                                    cause that’s my big ol big ol.

 


 

NO QUESTION

NO QUESTION, NO QUESTION. WOULD DROP EVERYTHING FOR SPRING AGAIN.

NO QUESTION—WOULD LOVE TO REPEAT MYSELF IF THE WORDS STOPPED

BEING SO LOVELY. WOULD LOVE TO GRIP THE WORLD. NO QUESTION,

NO QUESTION. WOULD LOVE A WRAPAROUND FRONT PORCH AND

AN OLD BLACK DOG AND A BABY BLUE TELEPHONE AND

FOR YOU TO COME AROUND WHEN I ASKED YOU TO AND A THIN

GOLD CHAIN AROUND MY NECK THAT SOMEBODY ELSE GAVE

ME, NO QUESTION. NO QUESTION, YEA, NO QUESTION—HOW

I WOULD LOVE TO GIVE SOMEONE EXACTLY WHAT THEY NEED.

WOULD LOVE TO DEVOUR, WOULD LOVE TO CARE THE LEAST,

WOULD LOVE TO LEAN ON YOU ALL LAZY AND BELLY-FULL. IT WOULD BE SUNNY.

NO QUESTION. WOULD YOU LOVE TO ANSWER MY CALL?

WOULD YOU LOVE IN THE EARLIEST HOURS?

IN THE DARKEST? WOULD YOU PULL UP IN YOUR

CAR AND KISS ME ALRIGHT ON THE HOOD?

NO QUESTION, YEA, NO QUESTION, YOU’D SAY. NO QUESTION.

WOULD LOVE TO SAY THE SAME. WOULD LOVE TO

TASTE YOUR THOUGHTS, WOULD LOVE TO LIVE FOREVER.

NO QUESTION, NO QUESTION. WOULD YOU BE CONTENT DOING

NOTHING? WOULD YOU MOVE REAL CLOSE IN THOSE

EARLIEST HOURS? WOULD YA? WOULD YA?

 

            NO QUESTION, NO QUESTION.


 

1066 COMM. AVE

turns out that the world is much more vast than one person. more vast than you, more vast than me. i mean, truly, 300,000 miles away there is

some old woman shaking her fist at the setting sun and its missed promises.

another 100,000 miles away there is a little baby with heavy eyelids who

does not know exactly what he wants, or how many species of sea mammals

die off every year, or what my favorite color is [lilac]. look, over there,

the trail of a biplane swells and fades in a single instant, and forgets

all the lonely lovers crying with the TV on, just for sound and not for picture.

a car screams down I-95, a 40 oz. hurricane is smashed on the

hood of a Philadelphia cop car, a catholic schoolgirl hides behind an oak tree,

so nervous she nearly wets her day-of-the-week underpants [Tuesday]. a rat

inspects a peach pit and is scared off by the grating shatter of the hunched old man’s stolen shopping cart teeming with crushed aluminum, green plastic, pathogens. the next alleyway over the spine of a farm-raised salmon is thrown to an orange cat with one ear but a mild disposition. the artist in

black lycra minces meat in a room full of electricity and misses no one

[a problem i wish i had]. in the mailroom, possessions are sorted like

chess pieces, and cigarettes are smoked until plastic is tasted.

 

something fervent lingers, some opus, wider than the arc of the moon,

maybe explosive,

assuredly permanent.