a series of 3 additive, large-scale blank-charge monotypes inspired by mid-century industrial posters. 2019
IN TRIPTYCH
“THE” / UP / additive monotype / 30x44in
“BLANK” / UP / additive monotype / 15x22in
“NOW” / UP / additive monotype / 30x44in
a series of 5 etchings inspired by missed and made connections, and how sometimes they can be one in the same. 2017
detail no.1
detail no.2
"QUICKSILVER" / 5 of 5 / ETCHING / 8X8IN
detail no.3
a unique single series additive monotype inspired by feeling alone when in love. 2022
a series of gum transfer monotypes pulled from a 1957 Newtown High (Massachusetts, USA) yearbook. 2018-2021
a series of woodcut monoprints from on mixed papers. 2020
a series of mixed-technique monotypes which discuss the rather unfortunate situation of being in a long-term relationship with someone who does not know how to love. 2019
A series of 3 large-scale monotypes inspired by the only blue-eyed lover I’ve ever had and I still miss them to this day!
2023
i’m really into the idea of sinister dinners. woodcut on stonehenge. 2019
A little bit of this and that, some random projects from Boston, USA.
2017-Present
There I feel that nothing can befall me in life— no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground, — my head bathed by the blithe air, and uplifted into infinite space, — all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all…
"BUT LEAVE ME MY EYES" / 2/5 / AQUATINT / 12X9 IN
Can you tell how much I love color?
2017-Present
A SET OF 3 LARGE-FORMAT MONOPRINTS THAT WERE VERY CATHARTIC TO MAKE.
2022
